Lauren Berkowitz creates ephemeral and site-specific installations that evoke the passage of time, loss and renewal. Her work explores the poetic resonance of natural and man-made materials and their transformative qualities through light, volume and space. Often inspired by the landscape but disquieted by its precarious state, she recycles narratives and residual matter as a process of environmental regeneration.
Berkowitz acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. She pays respect to their Elders past and present and extends that respect to all Aboriginal and Torres Strait Islander peoples today.

Remnants, 2022

Plastic Topographies, 2018 – 2022

Fragile Ecologies, 2019 – 2021

Ecosphere, 2019

Residency Unlimited, Open Studio, 2019

Still Life, 2014–2017

Bottles, 1994–2017

Subterranean, 2016

Energy Fields, 2015

Verdure, 2015

Starlie Geikie and Lauren Berkowitz, 2014

Weeds and Wildflowers, 2014

Manna, 2009
Sustenance, 2010
Physic Garden, 2013–2014

Liquid, 2013

Visceral Forms, 2012

Cell Structures, 2012

White Residue, 2010

Lauren Berkowitz and Starlie Geikie, 2008

Drift, 2008

Cornucopia, 2007

Demeter's Garden, 2007

Karakarook's Garden, 2006–2007

Shadows and Light, 2005

Salt and Sand, 2004

Tide, 2004

Harvest Room, 2003

Salt and Honey, 2002

Colour Field, 2002

Verdant, 2001

Idyll, 2000

Strata, 1999

Cupola, 1999

Translucent, 1998

Weeds, 1998

Dystrophy, 1997

Celestial, 1997

Follies, 1997

Wall, Red, Yellow, Blue, 1997

Green Room, 1996

Polystyrene Room, 1996

Onion Sac Wall, 1996

Reclaiming Memory, 1995

Bags, 1994 (remade 2010)

Newspapers, 1994

Recyclable, 1993

Sightseeing Tours, 1993

Installation #4, 1993 (remade 2010)

Buffalo Dateline, 1993 (remade 1995)

Pine Grove Installation, 1993

Blue Wall, 1990

Twig Cluster, 1989
